Interstellar Cinderella
Written by Deborah Underwood
Illustrated by Meg Hunt
Published by Chronicle Books, May 2015
Meg Hunt’s illustrations are stunning. They are very dark, in contrast to
the brightness of most kid’s picturebooks, but this works to the story’s
benefit. She’s created a world. (My single complaint would be that,
when the Prince’s spaceship breaks down, the smoke kind of blends into
the rest of the picture; it took us a second to see what the problem
was… But that’s the definition of splitting hairs!)
Once upon a planetoid,
amid her tools and sprockets,
a girl named Cinderella dreamed
of fixing fancy rockets.
With a little help from her fairy godrobot, Cinderella is going to the ball. But when the prince's ship has mechanical trouble, someone will have to zoom to the rescue! Readers will thank their lucky stars for this irrepressible fairy tale retelling, its independent heroine, and its stellar happy ending.
Illustrated by Meg Hunt
Published by Chronicle Books, May 2015
There has of late, thankfully, been a rash of
children’s books with a strong emphasis on female empowerment. Shannon
and Dean Hale’s The Princess in Black is one great example. The Detective’s Assistant, by Kate Hannigan, is another. And the favorite in our house is Andrea Beaty’s Rosie Revere, Engineer.
We have a spirited five year old (she’d want me to specify five and a half)
girl, and it’s of grave importance to us that she grow up knowing that
being a girl isn’t a hindrance but rather a gift and a strength, so
whenever we go to buy books, there’s usually at least one in the stack
with a strong female protagonist. The problem with these books, often,
is that they’re Message Books, which in itself isn’t necessarily a bad
thing, but Message Books tend to lack a certain… Nuance?
Our daughter doesn’t want to be read a lesson, and we
don’t want to read one to her. She wants a story, and we want a
conversation starter; we don’t want a book that says “Don’t
underestimate girls, because girls can do anything!” We want a book that
sets us up to say “So, why do you think that character underestimated
her? Do you think that was fair? Why?”
Deborah Underwood’s latest is one such book. It’s the
story of Cinderella, transposed to outer space, and replacing Disney’s
enduring yet whimpering heroine with a little girl of great strength and
a solid idea of herself. The handling of the Cinderella story owes a
lot to Marissa Meyer’s young adult novel, Cinder, whether conscious or by coincidence, but no matter: It’s a great set-up.
There’s the requisite evil stepmother, the evil
stepsisters, the ball, the fairy godmother, but it’s all tipped on its
head. The godmother is a robot. The ball is gravity-free. Cinderella is a
fledgling spaceship repairperson. The Prince of the story doesn’t even
fall for Cinderella because of her beauty; he is smitten with her
ability… But Underwood doesn’t bog down in proving how clever she can be
with reinventing the source material; she sets up the .
There is a moment towards the end which I was
dreading as I saw it coming: The traditional marriage proposal. You know
how it goes: The Prince finds the girl who fits the slipper (in this
case, a space wrench) and takes her as her bride, saving her from her
life of misery, and Cinderella, with hearts in her eyes just from being
near a real prince, gratefully accepts! But Underwood skillfully
sidesteps the awkwardness, and nods toward the creepiness of how the
story is supposed to go. This is a girl who wants a career.
Meg Hunt’s illustrations are stunning. They are very dark, in contrast to
the brightness of most kid’s picturebooks, but this works to the story’s
benefit. She’s created a world. (My single complaint would be that,
when the Prince’s spaceship breaks down, the smoke kind of blends into
the rest of the picture; it took us a second to see what the problem
was… But that’s the definition of splitting hairs!)
Her style is reminiscent of folk art. It looks like
paint layered upon paint; I suspect, of course, that it’s digital, but
if it is, it’s exceptionally well done in that it doesn’t read as
digital. Interstellar Cinderella is her first picturebook, which in
itself is remarkable. (That said, she’s by no means a newbie; her CV is
impressive.)
It would be a mistake to consider this a book for
girls, and, arguably, it’s even more important for boys to be exposed to
this message when they’re young. Regardless of the gender of your
child, your bookshelf can only be enhanced by the inclusion of Interstellar Cinderella.
Once upon a planetoid,
amid her tools and sprockets,
a girl named Cinderella dreamed
of fixing fancy rockets.
With a little help from her fairy godrobot, Cinderella is going to the ball. But when the prince's ship has mechanical trouble, someone will have to zoom to the rescue! Readers will thank their lucky stars for this irrepressible fairy tale retelling, its independent heroine, and its stellar happy ending.
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