Κυριακή 30 Οκτωβρίου 2016

Swan: The Life and Dance of Anna Pavlova by Laurel Snyder (Goodreads Author), Julie Morstad (illustrator)

swan 
Swan: The Life and Dance of Anna Pavlova
Written by Laurel Snyder
Illustrated by Julie Morstad
Published by Chronicle Books

Before we get to the story of Anna Pavlova and the poetic prose of Laurel Snyder, let’s get the obvious out of the way: Julie Morstad is a treasure. A constant creator of illustrations that are gorgeous, whimsical and bursting with wonderful details, Morstad is one of an elite group whose name alone signals to the reader that they are about to embark upon a journey that will open their eyes and hearts to great beauty. (Read our review of another Morstad triumph from 2015, This is SadieHERE.) I imagine that, whenever she releases a book, American illustrators all over breath a sigh of relief that, being Canadian, she is ineligible to win the Caldecott medal.
Morstad works her magic once again in, Swan: The Life and Dance of Anna Pavlova, Laurel Snyder’s biographical picture book of the prima ballerina.
Pavlova grew up poor in Russia, without much hope of breaking through the strict caste system. And then her mother took her to see the ballet one night, and her future was laid out: Considered all wrong for ballet (she was far too thin, and not athletically built), Pavlova auditioned twice for the Russian Imperial Ballet School, gaining admittance her second try, and, against all odds, would go on to become the dominant international star of the balletswan spread world, and one of the most influential dancers in the art’s history. She was adamant that, should ballet be available to children from all walks of life, it could truly change the world, just as it had changed her own life, and she set out to make that dream real.
Snyder masterfully handles Pavlova’s myriad struggles and triumphs, and relays her story with impeccable grace and poetry, which are perfectly matched by Morstad’s pictures.
I read Swan: The Life and Dance of Anna Pavlova myself before reading it to my daughter, and though I was impressed with it thoroughly, I was unconvinced that, with its subject matter and the scope of its narrative, it would capture her imagination and hold her attention. I was wrong, of course. We’ve read the book countless times, and she loves every word and every image.
Swan presents two artists working at the top of their powers to bring the story of another powerful artist to the world, and the result is, simply, breathtaking.



 The world is big.
Anna is small.
The snow is
everywhere
and all around.
But one night . . .
One night, her mother takes her to the ballet, and everything is changed. Anna finds a beauty inside herself that she cannot contain.

So begins the journey of a girl who will one day grow up to be the most famous prima ballerina of all time, inspiring legions of dancers after her: the brave, the generous, the transcendently gifted Anna Pavlova.





Σάββατο 29 Οκτωβρίου 2016

Imelda and the Goblin King Briony, May Smith

Imelda and the Goblin King
Written and Illustrated by Briony May Smith
Published by Flying Eye Books

When I was a kid I was given by some unknown relative an anthology of folk tales from the 1960’s. I don’t remember if they were from any specific culture, or even which tales were included, but I’ve always remembered the illustrations. They were awash in earth-tones, with grotesque-cute characters and villains that were on the legitimately scary side. The moral lessons therein had terrible consequences, not the slaps on the wrist so common in the Disney-fied landscape of modern fairy tales. I’ve searched for similar books in used book stores for years, but have not managed to track down any that are quite right…
Yesterday I received a book in the mail, and when I opened the envelope I was brought back, finally.
Here were the earth-tones. Here were the adorably awful characters and the frightening bad guys. Here were the moral lessons that carry with them real consequences for the characters.
Briony May Smith’s Imelda and the Goblin King is a brilliant evocation of the golden age of the folk tale, somewhere between the gruesome stories dreamed up by The Brothers Grimm, and the saccharine nonsense peddled dressed in glitter-specked book jackets today. (But certainly owing more to the Grimm tradition.)
Imelda, a human girl, lives alongside a forest populated by fairies, with whom she has a close bond. One day the forest is taken over by a goblin, who appoints himself the King of the Forest; The Fairy Queen, not able to ImeldaAndTheGoblinKing_jpg11understand one so angry, posits that, should they lay before him a feast of great lavishness, he might lighten up and treat them with kindness. Of course, he does not; he proves himself selfish and mean, and locks up The Fairy Queen. Imelda comes up with a plan to test The Goblin King, which will either free him from himself or do away with him for good.
There is nothing about this book I dislike. It’s a simple story, very well told, with illustrations that match the content perfectly and also capture the spirit of those books I remember from my childhood. (This book even smells like those.) There is great humour in both the text and the pictures, and the lesson is clear without being heavy-handed.
Smith packs so much wonerful detail into every spread, it’s almost overwhelming. Hours could be spend poring over each page, examining every fairy and creature. Indeed, my daughter and I spend a good amount of time choosing our favorite characters on each page, and then our favorite for the whole book. (We agreed on the fairy riding the rabbit…)
Flying Eye Books, increasingly one of the finest purveyors of children’s books of the planet, is the perfect publisher for a book such as this. They have shown time and again that they understand that the form of the book must work in conjunction with the content, and here they nail that marriage. Even the end papers are gourgeous. Perfection.
Briony May Smith is a major talent, and Imelda and the Goblin King is a clear statement of intent from an author-illustrator from whom I eagerly await more.
A serious contender for Best Book of the Year.






Far away behind the hills Imelda lives beside a fairy forest. Every day she ventures into the forest to play with her fairy friends. But within the deepest, darkest depths of the trees lives the worst creature of all – the goblin king! When he kidnaps the Fairy Queen, the fairies call upon Imelda to help. Soon she has a cunning plan to turn the Goblin King into a worm and rid the forest of him for good.
Filled with inventiveness and beautiful art this is the unmissable picture book debut of Briony May Smith!









Knight, Kris Canada Fine Arts

 Kris Knight, Winter Wheat, 2011, oil on canvas, 30 x 40" (Private Collection)
 Kris Knight, Blue Flowers, 2013, oil on prepared cotton paper, 10 x 8"
 Kris Knight, Ivory, 2013, Oil on Canvas, 40x30" (Private Collection)
 Kris Knight, Map Of Your Face, 2011, Oil on canvas, 30 x 40" (Private Collection
 Kris Knight, Moonshine, 2009, oil on canvas, 16 x 20"
 Kris Knight, Ceremony, 2013, Limited Edition Hand-Embellished Print, Edition of 20
 Kris Knight, Aconitine (Howl At The Moon, But She Doesn't Answer Back), 2011, oil on canvas, 30 x 40" (Rize Gallery, Amsterdam)
 Kris Knight, Parvenu (The Historical Rise Of The Art Jock), 2011, 35.8 x 47.6"
 Kris Knight, Go West, 2013, oil on prepared cotton paper, 11 x 13"
 Kris Knight, The Early Riser, 2012, oil on canvas, 40 x 48" (Private Collection)
Kris Knight, What the Moonflowers Told Me, 2011, oil on canvas, 30 x 40" (Private Collection)
 Kris Knight, Bottom Of The World, 2011, oil on canvas, 30 x 36"


Murata, Yuko Japan Fine Arts



 Yuko Murata, Untitled, 2014, Acrylic on paper, 26,3 x 18,7 cm
 uko Murata, Bohemians (Evening), 2014, Oil on canvas, 38,1 x 45,7 cm
 Yuko Murata, Untitled, 2012, Oil on paper, 19 x 27 cm
 Yuko Murata, Untitled, 2012, Oil on paper, 19 x 27 cm
 Yuko Murata, Musk, 2013, Oil on canvas, 22 x 27,5 cm
 Yuko Murata, Musk, 2013, Oil on canvas, 22 x 27,5 cm
 Yuko Murata, Untitled, 2012, Oil on paper, 19 x 27 cm
 Yuko Murata, Untitled, 2012, Oil on paper, 19 x 27 cm
 Yuko Murata, Untitled, 2014, Oil on paper, 26,3 x 18,7 cm

Yuko Murata, Untitled, 2014, Oil on paper, 26,3 x 18,7 cm

Nara, Yoshimoto Japan Fine Arts

Yoshimoto Nara, Cosmic Eyes, 2007, acrylic on canvas, 91 x 117 cm
 Yoshimoto Nara, Light my Fire, 2001, acrylic, fabric and wood, 186,7 x 67 x 113 cm
 Yoshimoto Nara, Blue Sheep, 1999, acrylic on canvas, 120 x 110 cm
Yoshimoto Nara, Life is Only One, 2008, Acrylic on reclaimed wood, 169 x 254 x 10 cm
Yoshimoto Nara, Tamago, 2000, acrylic on canvas, 47 1/4 x 43 3/8 in
 Yoshimoto Nara, Untitled, 2005, coloured crayon on colour etching, 30,8 x 41,2 cm
 Yoshimoto Nara, Wall painting for Nara's Cabin, 2006, Acrylic on wood shingles, 115 1/2 x 130 1/2 X 4 1/2 in
 Yoshimoto Nara, So You Better Hold On, 1996, acrylic on canvas, 120 x 110 cm
 Yoshimoto Nara, Sleepless Night Sitting, 1997, acrylic on canvas, 119,7 x 109,5 cm
 Yoshimoto Nara, The Littlle Judge, 2001, acrylic on cotton, 76 1/2 x 63 7/8 cm
Yoshimoto Nara, After the Acid Rain ( Night Version), 2010, Japanese woodcut, Ukiyo-e style, 55,6 x 44,4 cm